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As Aragon descends into unrest, a count jealously fights for a noble lady's heart. But she has already given it to a passionate troubadour whose mother holds a terrible secret.

Surpassing its hugely successful spiritual predecessor Rigoletto, Il Trovatore was an instant triumph. Verdi’s music is so passionate and transcendent that one almost loses sight of opera’s notoriously most implausible plot, complete with burning babies and bloodthirsty vengeance. British baritone Christopher Maltman stars as Count Di Luna against the breathtaking backdrop of the ancient Roman Circus Maximus.

More than anything in the world, the water nymph Rusalka yearns to become human to win the heart of a young prince. But this metamorphosis comes at a price: she will lose her voice and be damned forever should their love story fail.

No reflection of a silver moon in the dried-up lake below. International Opera Awards 2020 nominee Dirk Schmeding stages Antonín Dvořák’s opera Rusalka at Staatstheater Braunschweig far removed from its usual poetic fairytale world. Stuck in the horror vision of a decaying no man’s land, US soprano Julie Adams embodies the title character lost between two worlds.

Madcap physical comedy and impeccable coloratura come together for Natalie Dessay’s indelible portrayal of the feisty tomboy raised by a regiment of French soldiers. Juan Diego Flórez is the young Swiss villager who conquers her heart—and a slew of high Cs. Also featuring uproarious performances by Felicity Palmer and Alessandro Corbelli, as well as a cameo by Tony Award winner Marian Seldes, this laugh-out-loud production was a runaway hit that left audiences exhilarated.

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