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Expanding its reach, international company Piletilevi Group is emerging as the biggest player in Central Europe

Piletilevi Group is buying a majority stake in two Polish ticket sales companies – kicket and Biletomat - which become after the merger the second largest ticket sales company on the Polish market as well as the largest player in Central Europe, brokering tickets for nearly 320 million euros per year.

Puccini festival presents

29.06.2024, Alexela Concert Hall. Grandiose event of the music season!

Õllesummer is returning with a star-studded line-up: see who is performing

Estonia’s biggest festival, Õllesummer (Beer Summer), will be celebrating its 30th anniversary in the upcoming summer and now, the names of the first artists who will be performing on 3–6 July at the Tallinn Song Festival Grounds will be revealed. True to form for a jubilee celebration, the list of artists is truly outstanding for any music lover. 

The Italian pop opera sensation The Italian Tenors will return to Estonia

Next October, the unique The Italian Tenors will give three concerts in Estonia as part of their ‘Viva La Vita’ tour. The trio performed in Estonia for the first time this spring, selling out concert halls at record speed.

Our headquarters is now in the heart of Tallinn's city center

From September 1st, the new office of Piletilevi Group is located in the heart of Tallinn's city center, at Maakri 23 A.

Change in the Piletilevi environment log-in

The Piletilevi environment login system will be updated starting May 30th, and in connection with this, your new username will be your e-mail address.

Electronic music pioneers 'Kraftwerk' will perform in Tallinn

On 17th of February electronic music pioneers “Kraftwerk” will perform with amazing 3D show in Saku Arena. During two hour performance all band’s most known hits will be played: The Man-Machine, Spacelab, The Model, The Robots, Autobahn, Computer Love, Tour de France, Radioactivity, Aero Dynamik, Boing Boom Tschack etc.
Important part of the show is high quality 3D projectors which are providing particularly realistic visual addition.
 
This is the most sweeping tour of German electronic music legends since 2013 and it is carrying on the material documented in their “3-D The Catalogue” collection which was released on May this year. Audio and video materials sums up a number of very meaningful performances for the band in museums and concert halls in period from 2012 till 2016. Collection is available in several variations: as 4 Blu-ray cd (with 228 page long book), 8 CD or 9 vinyl record set.
 
It is not an overdone statement that “Kraftwerk” are almost as important in electronic music, as “Beatles” are in popmusic. Quartet formed in the end of 60’s, their main strenght Dusseldorf Conservatory graduates Ralph Hiter and Florian Scgneider were so progressive for their period of time that they have influenced so extensive amplitude of genres from Detroit techno till hiphp, and from EDM till computerized sintpop. “New Order” and Madonna have adjusted their compositions to their samples, “Coldplay” uses Computer Love motive in their hit Talk, but David Bovie even named one song after Schneider. Tens, and even thousands of musicians have named “Kraftwerk” as their authorities. 
 
After experimenting with German krautrock in the middle of 70’s “Kraftwerk” turns to making electronic music. By using synthesizers, drum machines, voice changers, samplers, and self made instruments, they are evolving their own style, which is called “robot pop”, in famous “Kling Klang” home studio. Catchy melodies with repeating rythm; explicit industrial electronic sound with changed alienated “robot” vocal is the band’s handwriting. Additional mystery is created with four almost static musicians by their electronic instruments, who are sometimes replaced by real size dolls (for example in The Robots song), and their very tight communication with audience. Also, media rarely encounter an interview or comment from band members. As the only original memeber of “Kraftwerk”, Ralph Hiter, points out, they have always considered that band’s creative work should speak by itself and any comments are just unnecessary.
 
Despite that “Kraftwerk” memebers have confessed that they feel the best in their “Kling Klang” studio, where perfect sound is been cunned again and again in their accuracy, they admit that concerts have always been relevant part of their expression. But even then sound and visual message have to be polished till absolute nuance. That is why quartet can’t be called as intensively touring and every their performance is really special and well planned show. 
  
info:
http://www.kraftwerk.com
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